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The
Big Takeover
Whispering Campaign
“In my review of Tulipomania’s 2002 self-titled debut,
I described their atmospheric music as ‘dramatic, foreboding,
and gripping,’ and those attributes still hold true on this
even better third LP. As on 2007’s Anamorphic, frontman Tom
Murray handles both guitars (taking over those duties from original
member Mitch Smith) and bass. And like before, those dark, shadowy
guitars gnash and bite like buzzsaws, while the deliberately paced
grooves are sinister and repetitive. Meanwhile, Cheryl Gelover’s
spacious, ghostly synths are more omnipresent, gradually building
the tension and trepidation until the listener becomes totally
absorbed. Finally, I’ve wholly succumbed to Murray’s
oddly pitched, discomforting vocals, finding that they perfectly
suit the music’s anxiety-filled vibe. His one-of-a-kind trill
ensures that songs such as “Shape Me Up” and “Halfway
Point” resemble nothing else out there.”
Mark Suppanz The Big Takeover, Issue 69
"Anamorphic" cinematographers and photographers squeeze
wide angles into small frames using a special lens. So, too, does
this Greater Philadelphia band centered on worker bee Tom Murray
(doing double duty on guitars and bass). Their gnarly, noisy guitars
expand, not contract, the sonic waves over strict, heavy-discipline,
mid-tempo dance rhythms. Having grown bored of today's angular,
stripped-down post-punk dance rock revival mania, I nevertheless
find Tulipomania completely, oppositely refreshing–because
of Murray's guitars, guitars, guitars! They're gnashing, violent,
dark, and distorted, yet so spread-out, it's like some unearthed
third cousin of Steve Albini circa "Kerosene," old Effigies
guitarist Earl Letiecq circa "Security," or Geordie Walker
of Killing Joke circa "Tension." The grooves are mean
and repetitive, so they start to get to you too, as Murray's heaving
vocals sound like a man being punched in the stomach while smoking.
Stand up and take your punishment.
Review by Jack Rabid Publsher/Editor - The Big Takeover issue
No. 60 |
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